Duna (da série Mamãe, prometo ser feliz)
Artist name
Artist year born
                                1940
                            
                        
                            
                            Artist year deceased
                                2025
                            
                        
                            
                            Artwork make date
                                1992
                            
                        
                            
                            Artwork title translation
                                Dune (from the series, Mummy, I promise to be happy)
                            
                        
                            
                            Artwork material
                                mixed media
canvas
                        
                            
                            canvas
Artwork dimensions
                                height: 100cm
width: 150cm
                        
                            
                            width: 150cm
Artwork type (categories)
                                Mixed Media
                            
                        
                            
                            Accession method
                                Donated by Katie van Scherpenberg 1994
                            
                        
                            
                            Accession number
                                6-1994
                            
                        
                            
                            Label text
The title of this work, Mummy I Promise to be Happy, refers to the artist’s own experiences as a mother and daughter. Indirect references are made to sheets (hospitals, wedding beds?), the seaside, and to landscape, leaving space for individual interpretation. It was made by applying levels of gesso and sawdust over pure red/brown pigment. Originally, the surface was white; as time passes, the underlying colour is gradually bleeding through until eventually it will become almost totally dark, while details like the cockle shells will tend to stand out with increasing clarity. The change depends on humidity, climate, light and chemical reactions. This work is effectively 'painting itself' every day.
Last updated date
                                01/12/2008
                            
                        
                    